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May 24 2017

A Surround Sound Processor for Pro AV Integration

We’ve had many requests over the years for a product suitable for pro AV that can provide surround sound for boardrooms, conference rooms, and other installations. While a consumer surround sound receiver seems to be an easy solution, you won’t find the essential features you’ll want for effective pro AV integration. Many of them don’t have RS-232 serial control capability, and the vast majority of receivers do not offer balanced audio inputs and outputs, or an executive mode to prevent potential user tampering. They also require about 3U or more of rack space, plus additional space above for adequate ventilation.

Designed for Pro AV Integration

The Extron SSP 7.1 was designed with the needs of pro AV integrators and users in mind. It includes 7.1 channels of line level outputs for interfacing with other pro AV gear, including switchers and amplifiers. The analog input and outputs are provided on captive screw connectors, and can be wired for balanced or unbalanced operation.

The SSP 7.1 also offers RS-232 serial control, and includes user-friendly GUI software for setup and operation; more on this later. Compared to consumer surround sound receivers and preamplifiers, it’s very compact with a rack-mountable 1U, quarter rack width housing that’s designed to fit easily into credenzas where available space for equipment is often limited.

As a surround sound processor, the SSP 7.1 automatically detects and decodes incoming audio content in various Dolby® and DTS® formats from DVD, Blu-ray Disc, and HDTV broadcasts. It also offers Dolby Pro Logic II/IIx and DTS Neo:6® processing to provide surround sound from two-channel stereo. See the table for a complete listing of supported audio formats and processing modes. Coaxial and optical digital audio inputs are provided for use with consumergrade equipment such as DVD players.

Simple User Operation

Operation of the SSP 7.1 is very simple and intuitive, with controls provided on the front panel for input selection, volume, and overriding the current listening mode. There’s no need for a remote control, on-screen display, or front panel menu navigation.

LED indicators on the front panel enable quick, at-a-glance system status, including source selection, source format detection, surround sound decoding/processing mode, and output volume level.

With the touch of a single button, the user has the ability to select a preferred listening mode at any time. For example, if the SSP 7.1 is currently playing Dolby Digital 5.1 audio from a DVD, the user can switch to a different listening mode, such as two-channel downmixed stereo. Similarly, if playing two-channel stereo from CD or any other source, the user can elect to enhance the audio presentation to 7.1 surround sound via Dolby Pro Logic IIx. There is also the option to send stereo audio to all left and right speakers without surround sound processing.

See full details at www.extron.com

Written by admin · Categorized: Professional Audio Systems · Tagged: Professional AV Equipment, sound system

Mar 26 2014

Lang Evaluates Laser/Phosphor and Laser Projectors

By Matt Brennesholtz
Display Central

At ISE 2014 in Amsterdam, Lang AG (Lindlar, Germany) had both a booth and a private viewing room.  The viewing room focused on laser/phosphor and pure laser projectors and I got a tour of it hosted by Markus Ries, director of Lang Academy, and Peter Mathia, product manager for projectors.

Lang AG is a sales and rental company for professional AV equipment. According to Ries, the company is not a rental and staging company that serves end users directly. Lang acts as a “dry-hire” cross-rental company, serving the market with large quantities of projection, display, LED and image processing equipment. Its customers are not end users, but the rental and staging companies.

Lang Academy is the branch of Lang that does training for ProAV people. This training is more than simple hands-on training for Pro AV installers and operators. For example, last fall it hosted the 4K Forum and in May it’s hosting a free all-day seminar, “Women @ Interactive – Seminar For Women In Media Technology.”

As part of his duties as product manager of Lang AG, Peter Mathia evaluates projectors that Lang is considering purchasing to add to its rental inventory. As part of this projector evaluation program, there were three demos of laser/phosphor and laser projectors in the Lang viewing room at ISE. Mathia also provides feedback, based on measurements he makes, to the projector manufacturers on the suitability of projector prototypes to the Pro AV industry and suggests modifications to designs that would simplify their use in the field. It is then up to the projector makers to decide if these suggestions can be implemented and then do the necessary design work.

The first projector I saw was the NEC pure laser projector. The projector is a 4K, three-panel DLP projector and the lasers are external and connected to the projector by fiber optic cables. Each external laser module provides enough light to produce 5,000 lumens at the screen and the projector I saw was using two modules for 10K lumens. Each laser source was connected to the projector via two fiber optic cables, as can be seen in the photo. The image produced on the screen was excellent, with good colors. Slight speckle was visible in the image when viewed close up, but at normal viewing distances this speckle was invisible.

lang-laser1-0214

Left is the NEC laser projector, with the four fiber optic connections visible. Right is the image produced.
There has been debate about whether laser projectors should have the lasers embedded in the projector itself or if they should be external, perhaps in a central laser room, and connected to the projector via optical fiber. Mathia pointed out to me that these fibers capable of carrying high-powered laser beams cost about $1,000/meter ($305/foot) and this could impose an impossible cost burden on lasers any significant distance from the projector, especially if four fibers were needed to connect the lasers to the projector.

The second demonstration was a side-by-side comparison of the DPI HIGHlite 12K laser projector and a lamp-based projector from Panasonic, using dual 355W UHM lamps. The two projectors had WUXGA (1920×1200) resolution, although the DPI projector used 0.67” DLP imagers and the Panasonic used 0.9” imagers. The two projectors were set up for the same luminance at the screen.

See Full Story on www.ravepubs.com

Written by admin · Categorized: Projection Systems · Tagged: Laser, Laser Beam, Laser Projectors, Phosphor, Professional AV Equipment, Projection System

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